The Poetry Years
By Vincent Truman On December 13th, 2008______________________________
VINCENT TRUMAN: THE POETRY YEARS
by Dr. E. Herman G. Delvin H.K. Martin
________________________
Any analysis by a professor in or researcher of literature when tackling the subject of poetry has to begin with the question, ‘What is poetry?’ Certainly, defining poetry, or indeed any target of study, is essential when taking up the task of judging its value. Unfortunately, there is one class of person involved in poetry who does not ask this question, and that is the teenage poet.
Take this verse from Vincent Truman’s poem from sophmore year of high school, appropriately titled ‘Disillusionment’:
How I’d love to fly to you
And hide in paradise
No more crying; nothing to do
Nothing to realize.
Am I foolish or am I blind?
Are you the one for me?
Are you the same or one-of-a-kind?
Can we be all we can be?
Vomit. In this poem, Truman, whining like a lost dog, disposes with meter and form while hijacking a slogan for the US Army. Additionally, having read too many lyrics that rhyme ‘rain’ and ‘again’, Truman takes it upon himself to up the ante by rhyming ‘paradise’ and ‘realize.’ One wonders, in his poetry which he has saved through the years for no fixed purpose, if there exists a poem that rhymes ‘concubine’ with ‘alabaster.’
The only question of this piece we can ask is with respect to the title of piece: “Disillusionment.” Is that something Truman is feeling or something any intelligent person reading the poem would feel. Noting his lack of being “meta” in his work of this period, we must conclude the former.
In “A Torrid Collection of Memories in Verse (Part One)”, a piece dating from his junior year of high school, Truman captures the carefree days of youth.
I recall the good times when there weren’t any crimes
No caring for my new day
But tomorrow came so soon and I remember feeling doomed
The fork we felt was the only way.
Puke. Again, Truman throws at us a painful rhyme (soon/doomed), nauseating imagry and an utterly disgusting lift from Robert Frost - unless the last line is actually referring to cutlery. The best thing one can say about Truman’s writing here was there was no Part Two - surely the closest to a literary threat Truman has manufactured.
There are numerous factors that inform a teen’s writing. These days, it is the nonstop stimulus of networking sites, leading the youth of the world to stop saying ‘we are mature enough to vote’ and start saying ‘i can haz cheezeburgers.’ However, in the pre-internet days, young people the world over found things that they sought to emulate as well, and they failed just as painfully. In one untitled poem, Vincent Truman’s momentary love of the band Rush inspired this work (and I call it ‘work’ because that’s what it takes to get through it):
Visions of deception which radiate the wind
Black holes of far away which permeates time
Targets of laughter
Homes for the insane.
Darkness of realization is at pitch as the night
Still the ones are voted to determine what is right
Drury Lane not seen
An unfulfilled dream.
Truman nearly sounds like he is on to something here, but ultimately, a thoughtful analysis of this piece will give rise to the burning question: what the fuck is he talking about? Indeed, it is hard to discern; it was no doubt hard to Truman to discern as well. About the only thing clear here is the utter disgust the reader feels when Truman ambitiously compares darkness with lack of light.
Finally, let’s look at the poem that everyone - including, unfortunately, this hack - has written. Entitled “What is Love?” While most of us have given up on the question, or have resigned to equating it with pornography (ie, we know it when we see it), adolescent writers still think, if they concentrate really hard, they can figure it out.
So without further adieu, let us take you to Vincent Truman’s mind in his senior year of high school:
Is love something you make at night?
Or is it something to steal?
Is it something that just makes you feel right?
Is love actually real?
Is it something that brings out the best?
Or something that just hurts so bad?
Maybe love is looking for the only one?
Or it’s happy? Or it’s sad?
Is love something I take for granted?
Is love just tears when alone?
Could it be a need for someone to be with?
Is it talking on the phone?
Yes.
Eat a lot and purge. Truman here skips on the theories and just asks a series of contradictory questions about love, leading to the conclusion of “yes.” In this poem, he seems to accept the unknown properties of love as well as its grand and minute gestures. And, because he was 17 at time of writing, that makes me hate him even more.
Conclusion: wait for these to be assembled in a book and don’t buy it.

I have an mp3 CD that lasts about six hours that I listen to most nights when I go to bed. It is my full collection of Beatles bootlegs, er, ‘alternate takes’. From the Decca audition tapes to the demo for ‘Help!’ (done on piano very slowly, which adds a different shade to the happy pop of the final version) to Take 1 of ‘Paperback Writer’ to the rehearsals for ‘All Things Must Pass’, the disc is full of low fidelity gold. Tonight, and I fear this will only make sense to people who know the Beatles catalogue, I fell asleep around Take 4 of ‘Misery’ and woke up during the demo of ‘We Can Work It Out’, then the orchestra overdub for ‘Strawberry Fields Forever’ and finally the runthrough of ‘Maxwell’s Silver Hammer.’